#Reservoir dogs running time movie#
When Pulp Fiction was finally released that fall, it was sold in a variety of ways: As a John Travolta comeback flick as a can’t-miss critics’ darling as a movie that might possibly make you faint in the theater. It was merely the beginning of Tarantino’s years-long ascent, one that would turn him from chatterbox ex–video store clerk to A-list auteur. Through it all, Ebert observed, the director “hardly noticed the storm gathering around him.”
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As he and Ebert talked over coffee, they were interrupted by TV cameras, a needy publicist, Pulp star Bruce Willis-who was trying to corner Tarantino for lunch-and the sound of several noisy fans pounding on the hotel’s glass doors. After a year of promoting Dogs worldwide, Tarantino was back at Cannes, this time with the pop-marked neo-noir saga Pulp Fiction. Since they’d last met, Reservoir Dogs had become a word-of-mouth phenom on home video and abroad, turning the sunglasses-sporting Harvey Keitel into an unlikely college-dorm pin-up. This time, the top floor of a luxury hotel had been roped off in the director’s honor, and the pasta had been swapped out for chilled lobster. But with Dogs not due in theaters for months, Tarantino was stuck in the middle between indie-world infamy and rest-of-the-world notoriety-a guy simply “happy to sit on the table on the beach and eat spaghetti,” recalled Ebert, who wound up grabbing the check.Ī few years later, in 1994, the two men once again rendezvoused at Cannes. The 29-year-old writer-director had arrived at that year’s prestigious Cannes Film Festival with Reservoir Dogs, a bloody, nervy, Madonna-riffing post-crime caper that was already a must-see on the festival circuit. Late in the spring of 1992, Roger Ebert found himself dining on the French Riviera with Quentin Tarantino. We begin with a close look at how Tarantino first became a star behind, and then in front of the camera. We’ll drill down on his extraordinary rise from video store clerk to filmmaking legend and talk to the man himself about his long career. To celebrate, we’re looking back at the best of QT-the best scenes, the best stunts, the best dialogue. in Hollywood, director Quentin Tarantino’s ninth feature film. It’s a really good debut, but is totally overshadowed by the majority of Tarantino’s other movies.This week marks the release of Once Upon a Time. It’s a bit raw and the fact they didn’t have a large budget is probably the reason why certain events are only addressed to in dialogue and not in flashback, most notably the heist gone wrong which is addressed constantly but never shown.ĭespite these remarks I still find Reservoir Dogs to be a quite enjoyable movie but not worthy of such a high-rank in the top 250 (currently around #70). It’s a good entertaining story, but pales in comparison to a lot of his other work like Pulp Fiction, Kill Bill or Inglourious Basterds. I however don’t think it’s the classic it’s generally regarded. The movie is tightly scripted running only 100 minutes (all of his later work would go over two hours with ease, with the exception of Death Proof) and is funny as well as being just a good story. His signature feel for dialogue is on display during a breakfast in a coffee shop and the movie using flashbacks and title cards giving us backgrounds on the robbers. This is his shortest movie and most straightforward plot. Reservoir Dogs was clearly an exercise for Tarantino who would really find his touch with Pulp Fiction two years later. Meanwhile one of the robbers is bleeding to death and another one has a cop in his trunk. The ones that aren’t killed during the heist meet up in an abandoned warehouse and start pointing fingers to each other. Cops show up too early so there must have been a rat amongst the crew. The movie revolves around the aftermath of a jewelry heist which goes bad. So Reservoir Dogs is in color and has actors that already made a name for themselves or would do so following this movie. But where Kevin Smith had only $60,000 to make his movie, the participation of Harvey Keitel made sure Tarantino had $1,5 million to make his movie. Most of the actors were little known at the time and most of the movie takes place in a warehouse. Like Kevin Smith’s Clerks Reservoirs Dogs is a debut movie that obviously has a low budget. 20 years later Reservoir Dogs is generally regarded as a classic, is listed firmly in the IMDB Top 250 and gave the world Quentin Tarantino, one of the greatest directors in the history of filmmaking. I remember how the crew of a UK Nintendo magazine praised this movie which was subsequently followed by angry letters by readers who went to see it and claimed they walked out on the movie along with a lot of other people. The legacy of Reservoir Dogs is a lot greater than the initial impact it had when released back in 1992.
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